Barbara Hannigan

Barbara Hannigan (born 1971, Waverley, Nova Scotia) is a Canadian soprano. Her initial musical education came from the music teachers in Waverley[1], where, as Hannigan herself noted:

"Every household had a piano, so I just got into music and singing."

After growing up in Waverley, Hannigan moved to Toronto at age 17.[2] She studied music at the University of Toronto, where her teachers included Mary Morrison. She graduated from the University of Toronto with a Bachelor of Music degree in 1993 and a Master of Music degree in 1998.[3] She continued her studies at the Banff Centre for the Arts, the Steans Institute for Young Artists at the Ravinia Festival, and the Centre d’arts Orford. She also studied for one year at the Royal Conservatory of The Hague, where her teachers included Meinard Kraak. Other teachers have included Neil Semer.

Hannigan is particularly renowned for her performances of contemporary music. As of 2011, she has premiered approximately 75 contemporary compositions. She is particularly noted for her performances of György Ligeti's Mysteries of the Macabre, and in 2011, she has begun to conduct the work in addition to singing the vocal part.[4] Her work in contemporary opera has included singing in the premieres of Louis Andriessen's Writing to Vermeer[5] and Gerald Barry's The Bitter Tears of Petra von Kant[6]. Her commercial recordings in contemporary music include the premiere recording of Writing to Vermeer (Nonesuch), music of Luca Francesconi (Kairos) and of Harry Freedman (Centrediscs). She is also featured on four Naxos recordings of vocal works of George Frideric Handel, L'Allegro, il Penseroso ed il Moderato, Gideon, Rinaldo, and Tobit.

Hannigan is married to the Dutch theatre director Gijs de Lange.[7] The two of them worked together on stage in a production of The Mikado in 2006.[8] The couple make their home in Amsterdam.

References

  1. ^ Ivan Hewett (2011-09-25). "Barbara Hannigan: 'You must go all the way'". Telegraph. http://www.telegraph.co.uk/culture/music/opera/8782541/Barbara-Hannigan-You-must-go-all-the-way.html. Retrieved 2011-10-09. 
  2. ^ Roberts, Maria (15 September 2011 - 28 September 2011). "The Spellbinding Ms Hannigan". International Arts Manager 7 (17): 17, 19. http://europe.nxtbook.com/nxteu/impromptu/iam_vol7no17/index.php?startid=17#/24. 
  3. ^ Cynthia Macdonald (Summer 2004). "Barbara Hannigan". UofT Magazine. http://www.magazine.utoronto.ca/summer-2004/barbara-hannigan-opera-soprano/. Retrieved 2011-10-09. 
  4. ^ Shirley Apthorp (2011-09-23). "In the premiere league". Financial Times. http://www.ft.com/cms/s/2/fe8248de-e2ab-11e0-897a-00144feabdc0.html. Retrieved 2011-10-09. 
  5. ^ Trochimczyk, Maja, "Writing to Vermeer: A View of a 'Filmic' Opera" (Chapter 12), from The Music of Louis Andriessen (Maja Trochimczyk, editor). Routledge (Taylor & Francis, New York City), p. 259 (ISBN 0-8153-3789-2).
  6. ^ Tom Service (2005-09-16). "The Bitter Tears of Petra von Kant (Coliseum, London)". The Guardian. http://www.guardian.co.uk/music/2005/sep/17/classicalmusicandopera1. Retrieved 2011-10-09. 
  7. ^ Frederike Bernsten (2010-10-14). "Sopraan Barbara Hannigan zingt Britten in Amsterdam". Telegraaf. http://www.telegraaf.nl/filmenuitgaan/muziek/7916549/__Sopraan_Barbara_Hannigan_zingt_Britten_in_Amsterdam__.html. Retrieved 2011-10-09. 
  8. ^ Peter van der Lint (2006-12-08). "'The Mikado' blijkt na twee jaar nog steeds sprankelend". Trouw. http://www.trouw.nl/tr/nl/4512/Cultuur/archief/article/detail/1701768/2006/12/08/rsquo-The-Mikado-rsquo-blijkt-na-twee-jaar-nog-steeds-sprankelend.dhtml. Retrieved 2011-10-09. 

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